If you are intrigued by the forthcoming ‘button workshop’ Pat Francis and myself are doing at the Storyville conference, check out this post by Pat on the Address (a relatively new journal for Fashion Criticism) site.
I was thinking about conventions of presenting research… and if it would be possible to submit an abstract in form of an object. Well, if we could, this would be my attempt at putting the abstract I put together with Pat for the Storyville HEA conference in Brighton into a three dimensional form.
As some of you may know, after doing a variety of workshops in the UK, we (Sarah Williamson, Lisa Gold and myself) took the Tactile Academia idea to the International Society for the Scholarship of Teaching and Learning conference this October. We were accepted to do both a pre-conference workshop (Pop-up Tactile Academia – Developing Reflective Thinking through Visual Book-making) and a panel (Tactile Academia – Integrating Creative Practice into Teaching and Learning).
The idea was to allow the workshop participants to try out the idea of using collage, drawing and the concertina-book structure to keep their own notes of the conference, and thus experience the potential reflective book making has for themselves. We were also hoping that at least some of them would join us at the panel session to talk about their take on the ideas and processes explored.
I’m happy to report that both workshop and panel were well-received and that some lovely books were created during those few days. I will hopefully do a more detailed post in the next couple of days about all the other things I attended (and about how my own book progressed). Plus there will be more pictures from the workshop!
Here are the slides of the workshop: Pop Up Tactile Academia Canada Workshop Oct 2012
I attended and delivered a paper at the 3rd Annual Conference of the International Journal of Art and Design Education in Liverpool 19-20 October 2012. Due to my lecturing schedule I was only able to attend the Saturday session where I presented my paper “The Artist Book: Making as Visual Method” to the “Creative Thinking” strand.
Here I attach my paper and my presentation which focus on the embodied knowledge developed through the development of my first artist book. The paper and book were well received, delegates appreciated looking at and discussing artefacts as so much of the conference focused on the teaching and learning of art and design subjects (and rightly and importantly so!). One delegate asked me, “What will you do now?” which is such a supportive and encouraging question. “More making, reading and writing” was what was on the tip of my tounge but I knew she wanted something more specific. I told her I was going to work more into the photographs I had taken and make more books and collages. Interesting that my reply was based on my practice rather than the theory/methodology…something has shifted in my practice and how I view the way to push my investigation further. I simply can’t wait to get back to my visual practice after the hard graft of writing the paper.
I still have my Lit Search to do though…..rather large detail to not ignore…..
The process of making, researching and writing the book and the paper have been richly rewarding and have pushed my thinking and practice much further along. I now feel my doctoral study is practice-led rather than practice-based.